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TitleLIVE MOVIES - A Field Guide to New Media for the Performing Arts
LanguageEnglish
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Table of Contents
                            RESEARCH AND RESOURCES
	Designers, Artists and Companies
	Research Web Links
	Suggested Reading
	Live Movie Production Management
	Contributors
	Call for Venture Philanthropists
	Live Movies Online
                        
Document Text Contents
Page 9

RESEARCH AND RESOURCES 225

, Mordecai Gorelik, Samuel French, New York, 1940

, David Hays,
introduction by Peter Brook, Limelight, NY, 1989

, 2nd Edition, John Huntington, Focal Press, Boston, 2002

, edited by Ralph Pendleton, Wesleyan Univ. Press, Middletown CT, 1958

, Robert Edmond Jones, Theatre Arts Books, NY, 1941/1969

, transcribed and edited, with commentary, by
Delbert Unruh, Limelight Editions, NY, 1992

, Lee Simonson, Theatre Arts Books, NY, 1932

, Josef Svoboda, edited and translated by Jarka Burian, Applause Theatre Books, NY, 1993, Josef Svoboda, edited and translated by Jarka Burian, Applause Theatre Books, NY, 1993

, Jarka Burian, Wesleyan Univ. Press, Middletown CT, 1971

THEATER AND PERFORMANCE HISTORY
, Antonin Artaud, Grove Press, NY, 1958

, Jacques Attali, Univ. of Minnesota Press, 1985

, John Bell, , Vol. 43, No. 3 (T163), Fall 1999,
MIT Press [now available as a book from MIT]

, Eileen Blumenthal, Abrams, NY, 2005

, Peter Brook, Atheneum, NY, 1968/1987

, Marvin Carlson, Routledge, NY, 1996

, C. Carr, Wesleyan Univ. Press, 1993

, RoseLee Goldberg, Abrams, NY, 1998

, RoseLee Goldberg, Thames & Hudson, NY, 2001

, edited by Michael Huxley and Noel Witts, Routledge, London, 1996/2002, edited by Michael Huxley and Noel Witts, Routledge, London, 1996/2002

, Tadeusz Kantor,
edited and translated by Michal Kobialka, Univ. of California Press, Berkeley, 1993

, edited by E.T. Kirby, E.P. Dutton, NY, 1969

, Bonnie Marranca, PAJ/Johns Hopkins Univ. Press, Baltimore, 1977/1996

,
Harold B. Segel, PAJ, Johns Hopkins Univ. Press, Baltimore, 1995

, Theodore Shank,
Univ. of Michigan Press, Ann Arbor, 2002 [expanded from 1982]

MEYERHOLD/EISENSTEIN/VAKHTANGOV
, Konstantin Rudnitsky, Abrams, NY, 1988

, Konstantin Rudnitsky, Ardis, Ann Arbor MI, 1981

, translated, edited, with commentary, by Edward Braun, Eyre Metheun,
London/Hill & Wang (FS&G), NY, 1969

The , Edward Braun,
Drama Books Specialists (Publishers), NY, 1979

, Jonathan Pitches, Routledge, London, 2003

, edited by Paul Schmidt, translated by Schmidt, Ilya Levin and Vern McGee,, edited by Paul Schmidt, translated by Schmidt, Ilya Levin and Vern McGee,
Univ. of Texas Press, Austin, 1980

, James M. Symons, Univ. of
Miami Press, Coral Gables, 1971

SUGGESTED READING

Page 10

226 LIVE MOVIES

, Jay Leyda & Zina Voynow, Pantheon Books/MOMA, Jay Leyda & Zina Voynow, Pantheon Books/MOMA, NY, 1982

, compiled by Lyubov Vendrovskaya and Galina Kaptereva, translated by Doris Bradbury,
Progress Publishers, Moscow, 1982

, Katherine Bliss Eaton, Greenwood Press, Westport CT/London, 1985

PISCATOR/BRECHT
, John Willett, Abbeville, NY, 1984

, J.L. Styan, Cambridge Univ. Press, 1981

, Bertolt Brecht, translated by John Willett,
Hill & Wang/Farrar, Straus & Giroux, NY, 1964

, Walter Benjamin, translated by Anna Bostock, introduced by Stanley Mitchell,
Verso, London, 1966/1977

, Erwin Piscator, translated by Hugh Rorrison,
Avon Books, 1978/Eyre Methuen, 1980 [orig. German 1963]

, Maria Ley-Piscator, Southern Illinois Univ. Press, Carbondale, 1967, Maria Ley-Piscator, Southern Illinois Univ. Press, Carbondale, 1967

, John Willett, Holmes & Meier, 1979

, C.D. Innes, Cambridge Univ. Press, 1972, C.D. Innes, Cambridge Univ. Press, 1972

FEDERAL THEATRE PROJECT AND THE LIVING NEWSPAPER
, edited by Lorraine Brown, , edited by Lorraine Brown,

George Mason University Press, Fairfax VA, 1989

, edited by John O’Connor & Lorraine Brown, , edited by John O’Connor & Lorraine Brown,
New Republic Books, Washington DC, 1978

, Hallie Flanagan, Limelight Editions, NY, 1940/1985

THEORY
, Jean Baudrillard, Semiotext(e), NY, 1983

, Walter Benjamin (Michael W. Jennings, General Editor, four volume series),
Belknap Press of Harvard University Press, Cambridge MA, 1996-2003

, Susan Buck-Morss, MIT Press, 1989

, Guy Debord, translated by Donald Nicholson-Smith, Zone Books, NY, 1995

, Gilles Deleuze and Félix Guattari,
Richard Seaver Books/Viking Press, NY, 1977

,
edited by Lawrence Sutin, Vintage, NY, 1995

, Donna Haraway, Routledge, NY, 1991

,
N. Katherine Hayles, Univ. of Chicago Press, 1999

, Lawrence W. Levine,
Harvard University Press, 1988

, Paul D. Miller a.k.a. DJ Spooky, That Subliminal Kid, MIT, 2004

, Lewis Mumford, Harvest/HBJ, NY, 1963

, Victoria Nelson, Harvard Univ. Press, 2001

, David F. Noble, Chas. H. Kerr Publishing Co., Chicago, 1993

, Neil Postman, Knopf, NY, 1992

, edited by Constance Penley and Andrew Ross,
University of Minnesota Press, Minneapolis, 1991

SUGGESTED READING

Page 17

New media theater
and performance are nothing if not collaborative.
And yet, most artists working in this fi eld, especially in experimental and grassroots
companies, lack the fi nancial resources necessary for sustained new technology initiatives.

If an enlightened affi liation of venture philanthropists was to assemble a fund which they would
distribute to a group of adventurous multimedia performance companies and ensembles,
these philanthropic “angels” would enable new media artists to change the proverbial “face
of the American theater.”

Such a program would allow new media theater companies to cover production costs
and to pay a team of artists (writers, directors, singers/actors/dancers/musicians,
composers, designers, animators, fi lm and video artists, production and stage managers,
dramaturgs, technicians, engineers, etc.) a “living wage” as they research, develop and
perform new media works.

If you, or anyone you know, or anyone you ever heard of, would like to discuss or
participate in this utopian program for opening doors to the future of new media theater
and performance, please contact Multimedia Performance Studio at MSN 1C3/C200
College Hall, George Mason University, Fairfax VA 22030 or at [email protected], and we
would be delighted to meet with you.

Live Movies: A Field Guide to New Media for the Performing Arts
is also available online at www.avt.gmu.edu/mps

For more information:
[email protected] | (703) 993-8865

• • •

Triple-A Plowed Under, Federal Theatre Project’s Living Newspaper, 1936.

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